Monday, April 20, 2026

*Book Tour & Giveaway* Looking for Lucky-GUEST POST

 


A missing cousin, 

A Mysterious Mansion, 

Family Secrets, 

and a "ghost" cat. 


Looking For Lucy

by Debbie De Louise

Genre: Gothic Mystery, Psychological Thriller



 She was never meant to be the brave one.

Despite their different personalities, cousins Mary and Lucy are closer than sisters. Mary, a teacher in a small town, fears change and suffers from claustrophobia. Lucy, a thrill-seeker, travels around the world in search of adventure.

When Lucy goes missing, Mary, her mother, and aunt visit a Long Island mansion called Hollingham Hall where Lucy had been employed as a tour guide before she disappeared. There, Mary meets three men, one of whom may have been romantically involved with Lucy – a charming historian, a volatile artist, and a friendly landscaper.

As Mary searches for her cousin, she is drawn deeper into Hollingham’s labyrinthine gardens and shadowed corridors where she discovers a chilling connection between Lucy and a woman who vanished seventy years ago on the eve of her wedding. She also learns of the “ghost cat” rumored to prowl the property.

When strange events take place at Hollingham, the police are called to investigate. But is Lucy alive and is her disappearance connected to the missing bride or one of the men on the estate?

A mystery of illicit affairs, hidden passageways, and family secrets, Looking for Lucy is the perfect read for fans of gothic novels, psychological thrillers, and atmospheric suspense.

 

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The wallet was evidence that Lucy’s call wasn’t a false alarm. I felt a chill running through me, and my mother was already looking in her purse for her phone to call 911. Aunt Linda, however, was fully in control. “Now let’s not jump to conclusions,” she said. “There’s no evidence of a crime here. The wallet may have fallen out of Lucy’s purse or duffel bag. When she discovers that she left it behind, she’ll come back to get it.”

My mother sighed, and it was one of those sisterly sighs I’d witnessed her make many times around Aunt Linda. “That’s not the point, Lynn. How can Lucy get anywhere without money and her I.D.?”

“You don’t give my daughter credit for her resourcefulness. She’s travelled halfway around the world, for gosh sakes.”

Walter observed the sisters’ exchange with curiosity. I had no desire to take either side. I was just concerned that Lucy, as resourceful as she was, could be in danger.

“Well, you’re her mother,” my mother added. “If you’re not worried, then I guess her aunt shouldn’t be either.”

I had to add my two cents. “What about her cousin? I was the one who received her call for help.”

Both women seemed to run out of ammunition at that point, so Walter interjected. “I think the best thing to do is to tell Mrs. G.” He glanced at his watch. “The tour should be over soon. I can take you back to the house to wait for her.”

Mom was mollified by that suggestion because, at least, it was doing something. Aunt Linda shrugged. She and my mom followed Walter out of the carriage house. He waited for me and then locked the door. Aunt Linda had put Lucy’s wallet in her purse.

“Instead of going back the way we came, I’d like to take you another way,” Walter said, turning right from the carriage house. “We’ll pass my cottage. It’s a circle.”

It was a short walk to Walter’s cottage. Like the Carriage House, only slightly smaller, it was bordered by flowers. A black and brown striped cat was munching on some green leafy plants growing under the front window. Walter smiled. “That’s my cat, Toppy. I grow catnip for him.”

“Toppy, what an interesting name,” I said.

“It’s short for Topiary,” Walter explained. “I found him near one of the Topiaries about a year ago and adopted him. I think he wandered into the estate, but he was only a kitten and no one in the area claimed him when I put up notices.”

“You have a topiary garden?” Aunt Linda asked. “I adore topiaries. You have to show me.”

Walter’s face brightened. “You’ll probably also enjoy the maze.”

“A garden maze, oh how delightful!”

I couldn’t believe that she was more interested in the estate’s botany than in finding her daughter. 




Debbie De Louise is an award-winning author and a retired reference librarian. She is a member of Sisters-in-Crime, International Thriller Writers, the Cat Writers’ Association, and the South Carolina Writers Association. She’s written over twenty books including three cozy mystery series: the Cobble Cove Mysteries, Buttercup Bend Mysteries, and her new series, Soup the Supernatural Kitten Mysteries. She’s also written a paranormal romance, standalone mysteries, a time-travel novel, and a collection of cat poems. Her stories and poetry appear in more than a dozen anthologies. Originally from Long Island, she moved to South Carolina where she now lives with her husband, daughter, and three cats. Learn more about Debbie and her books by visiting her website at https://debbiedelouise.com.

  

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GUEST POST

Mary’s Fears in Looking for Lucy

By Debbie De Louise


Lucy’s cousin, Mary, suffers from claustrophobia, a fear she’s had since childhood. When she looks for Lucy, who disappeared from Hollingham Hall, a Long Island mansion, she encounters several situations that involve small spaces. 

When Mary enters the garden maze, she exhibits the symptoms of her phobia – fast heartbeat, dizziness, dry mouth. Because of this, she tries to avoid entering the maze. Fear also grips her when she is in the mansion’s sub-basement where Derek Collins, the heir to the estate, has an office where he is working on a family history that includes the disappearance of his great aunt. Other places that Mary experiences fear is inside the estate’s carriage house and cottage, as well as the garden shed that reminds her of a similar place where she accidentally locked herself in as a child.

Most people have fears of certain things and, like Mary, try to avoid them. But because Mary is motivated to find her cousin, she faces her fears. A reader might say that Mary fears not locating her cousin more than she does small spaces. 

An interesting comment made by Derek about the two women is that Lucy is the weaker cousin, while Mary is stronger. What do you think he meant by this? Lucy was a world explorer, always seeking thrills and new experiences. Mary lived her whole life in the same town and suffered from claustrophobia. Why do you think Derek considered her stronger? Does it take strength to overcome fear? Is a wanderer, constantly living in different places, weak? Could it be that Lucy kept her fears hidden? Could she have been afraid to settle down? 



Friday, April 17, 2026

*Audiobook Tour & Giveaway* Thea-GUEST POST

 


Poverty, prejudice, her mother’s addiction…in her quest for an education, 15-year-old Thea tries to navigate them all. But will a secret ultimately undermine her efforts?


Thea

by Genevieve Morrissey

narrated by Nicole Fikes

Genre: YA Historical Fiction, Coming of Age


2025 Page Turner Book Award winner for Best Historical Fiction & Character Architect Award

 

Oklahoma City, 1925

Fifteen-year-old Thea Carter lives in a small garage apartment—Thea’s seventh “home” in four years—provided by her alcoholic mother’s employer, the morose and enigmatic Dr. Hallam.

School is Thea’s refuge and she’s an excellent student, but the parasitic Mrs. Carter’s instability continually threatens her dream of getting a high school diploma. In an effort to keep her mother employed and the two of them housed, Thea secretly takes on much of her mother’s work while at the same time navigating adolescence, friendships, and first love.

Dr. Hallam, impressed by her drive and intelligence, becomes Thea’s unexpected ally, but in addition to wealth and position, the doctor also has a secret that could ruin him, and shatter his bond with Thea.

 

"Morrissey crafts a wise and moving coming-of-age historical novel with resonant contemporary themes, meticulous period detail, and flawed but sympathetic characters who will win readers’ hearts… Lovers of historical fiction and coming-of-age stories will relish time spent with Thea." —BookLife 'Editor's Pick' review

"Thea is a coming-of-age tale with a lot of heart and charm… Morrissey's characters truly leap off the pages." —Readers' Favorite review


"The story is one of friendship and found family, with a heartwarming conclusion… THEA is a moving historical coming-of-age novel whose characters' compassion and empathy inspires.” —IndieReader review

 

**Now available as an audiobook!**

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Thea is the new historical novel by Genevieve Morrissey, author of the award-winning Marriage & Hanging and the popular Antlands science fiction series. She is an avid student of British and American social history who, through one of those strange little quirks of fate, spends most of her days talking with scientists. In addition to writing, Genevieve enjoys reading obscure books, travel, and solitude.

 

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GUEST POST

Who designed your book covers?


All of my covers except one are the work of Mark Thomas of Coverness. I love them all, and I think the cover of Thea is his best yet.


The cover of The Complete Raffles, Annotated and Illustrated is the work of Sarah Morrissey, and features an image of Raffles painted by J.C. Leyendecker.


Advice I would give new authors?


I find that people are very free about giving advice to writers. The only piece I ever got that I consciously took is this:


First—write a book (or play, or story, or poem, or whatever your thing is).


Second—revise what you wrote. Revise it again. Revise it again. Revise it until you’re sick of looking at it. Revise it some more. Keep revising it until every sentence is as perfect as you can make it.


Third—open the bottom drawer of your desk and drop your manuscript into it.


Fourth—close the drawer. If you feel like slamming it, go ahead.


Fifth—repeat steps one through four until one day when you open the bottom drawer to drop in your manuscript, you find the drawer full. At this point—and not before—you may proceed to step six, which is to attempt to get your latest work published.


I got this advice (I don’t remember from whom) in a time when people still had desk drawers and manuscripts on paper that could be dropped into them, but as that’s usually no longer the case, a contemporary version of this advice might go:


Step one—measure and calculate the volume of an old-fashioned bottom desk drawer. Measure and calculate the volume of a manuscript printed on 81/2 by 11-inch paper. Calculate how many manuscripts of the calculated volume would be required to reach the maximum capacity of said drawer.


Proceed with old steps one through four until the number of virtual manuscripts you have completed is enough to fill the virtual drawer.


Then continue to step five.


If you are math-avoidant, it may serve as a rough estimate for you to know that my desk drawer—actual, not virtual—was filled by Attempted Book Number Eight. Book Number Nine was Antlands, which sold very well, so I think the drawer-filling technique worked very well in my case.


Do you believe in writer’s block?


Yep. With as much conviction as I believe in gravity. Just keep writing.


Pen, typewriter or computer?


I’m so old I’ve written books with all three. I like my computer best because it makes revisions so easy I have no possible excuse to stint on revising. 


How long on average does it take you to write a book?


At first, five years. Then three. Then two. To write THEA took only one. As with any skill, practice is everything.



Who did the narration on the audiobook and what made you choose them?

More than in any other book I’ve written, I wanted to portray the characters in Thea as products of their environments. Thea Carter, the protagonist and narrator of the story, is an Oklahoma girl, so I felt like the perfect audiobook would be one performed by an actor with an Oklahoma accent. But could I get one? I didn’t think a generic “southern drawl” would do. Oklahoma isn’t the Deep South. The experiences and attitudes of a girl born and reared in the Deep South during the 1920s would have been very different from those of a girl raised in Oklahoma City. Consequently, when I opened the audiobook project for auditions, I specified either an Oklahoma, or failing that, a neutral accent.

I should have bought lottery tickets that day, because my luck was certainly in. Almost the first audition I received was from Texan Nicole Fikes, who is was so perfectly familiar with the Oklahoma accent that listening to her read her audition instantly brought back my own!

Nicole turned out to be an excellent actress, able to perfectly convey things like Thea’s mix of youth and premature world-weariness, her mother’s deteriorating condition, and Dr. Hallam’s gradual recovery from depression, using only her voice.

I have the good fortune to be able to say that my audiobook’s narration is exactly how I hoped it would be.

  

Did you have to adjust/change anything in the book before getting it narrated?

I didn’t adjust or change anything from the written version of Thea before getting it narrated. The words Nicole Fikes reads are exactly the ones I wrote, slightly adjusted—by Nicole; not me—to reflect the Oklahoma habit of, for example, dropping the final “g” of most “—ing” endings. Maybe I should have changed more, but I thought it might be unfair to people who read physical books for the audio version to have different content. 


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Tuesday, April 14, 2026

*Book Tour & Giveaway* Wind from the Abyss

 


Aristocrat. Outcast. Picara. Slave. Ruler ....

She is descended from the masters of the universe.

To hold her he challenges the gods themselves. 


Wind From the Abyss

The Silistra Quartet Book 3

by Janet Morris

Genre: Dystopian Epic SciFi Fantasy Romance



Dystopia. Fantasy. Science fiction. Allegory. Political.

 

Wind from the Abyss is the third volume in Janet Morris' classic Silistra Quartet, continuing one woman's quest for self-realization in a distant tomorrow.

Aristocrat. Outcast. Picara. Slave. Ruler .... She is descended from the masters of the universe. To hold her he challenges the gods themselves.

 

Praise for Janet Morris' Silistra Quartet:

"The amazing and erotic adventures of the most beautiful courtesan in tomorrow's universe." -- Fred Pohl

"Engrossing characters in a marvelous adventure." -- Charles N. Brown, Locus Magazine.

"The best single example of prostitution used in fantasy is Janet Morris' Silistra series." -- Anne K. Kahler, The Picara: From Hera to Fantasy Heroine.

 

This Perseid Press Author's Cut Edition is revised and expanded by the author and presented in a format designed to enhance your reading experience with larger, easy-to-read print, more generous margins, and covers designed for these premium editions.

 

Wind from the Abyss starts with this . . .

 

"Since, at the beginning of this tale, I did not recollect myself nor retain even the slightest glimmer of such understanding as would have led me to an awareness of the significance of the various occurrences that transpired at the Lake of Horns, I am adding this preface, though it was no part of my initial conception, that the meaningfulness of the events described by "Khys' Estri" (as I have come to think of the shadow-self I was while the dharen held my skills and memory in abeyance) not be withheld from you as they were from me. I knew myself not: I was Estri because the girl Carth supposedly found wandering in the forest stripped of comprehension and identity chose that name. There, perhaps, lies the greatest irony of all, that I named myself anew after Estri Hadrath diet Estrazi, who in reality I had once been. And perhaps it is not irony at all, but an expression of Khys' humor, an implicit dissertation by him who structured my experiences, my very thoughts, for nearly two years, until his audacity drove him to bring together once more Sereth crill Tyris, past-Slayer, then the outlawed Ebvrasea, then arrar to the dharen himself; Chayin rendi Inekte, cahndor of Nemar, co-cahndor of the Taken Lands, chosen son of Tar-Kesa, and at that time Khys' puppet-vassal; and myself, former Well-Keepress, tiask of Nemar, and lastly becoming the chaldless outlaw who had come to judgment and endured ongoing retribution at the dharen's hands. To test his hesting, his power over owkahen, the time-coming-to-be, did Khys put us together, all three, in his Day-Keeper's city -- and from that moment onward, the Weathers of Life became fixed: siphoned into a singular future; sealed tight as a dead god in his mausoleum, whose every move brought him closer to the sum total, obliteration. So did the dharen Khys bespeak it, himself. . ."

 

“Morris, so good at giving us characters we can identify with, characters we can love and hate, strikes at the very heart of the human condition and the duality of humanity — both good and evil. Her prose is lean and spot-on, every word carefully chosen to enhance the milieu of her imaginary world and advance the plot, giving us access to the thoughts, emotions and machinations of the people whose stories she is presenting to us. Once again, she gives us a “thinking man’s” science fiction/fantasy that explores the nature of power and sexuality, and how they can be used, misused and abused. This is a brilliant, mature and very adult novel that will not only leave you thinking about your own place in the universe, but questioning the very nature of existence.” – Goodreads reviewer

 

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I.In Mourning for the Unrecollected

 

The hulion hovered, wings aflap, at the win­dow, butting its black wedge of a head against the pane. Its yellow eyes glowed cruelly, slit-pupiled. Its white fangs, gleam­ing, were each as long as my forearm.
I screamed.
Its tufted ears, flat against its head, twitched. Again and again, toothed mouth open wide, it battered at the window, roaring.
Once more I screamed and ran stumbling to the far wall of my prison. I pounded upon the locked doors with my fists, pressing myself against the wood. Sobbing, I turned to face it.
The beast’s ears flickered at the sound. Those jaws, which could have snapped me in half, closed. It cocked its head.
I trembled, caught in its gaze. I could retreat no farther. I sank to my knees, moaning, against the door frame.
The beast gave one final snort. Those wings, with a spread thrice the length of a tall man, flapped decisively, and it was gone.
When the hulion was no more than a speck in the greening sky, I rose clumsily, shaking, to collect the papers I had strewn across the mat in my terror. They were the arrar Carth’s papers, those he had forgotten in his haste to answer his returning master’s summons.
I knelt upon my hands and knees on the silvery pile, that I might gather the pages and replace them in the tas-sueded folder before Carth returned.
Foolish, I thought to myself, that I had so feared the hulion. It could not have gotten in. I could not get out: It could not get in. Once I had thrown a chair at that impervious clarity. The chair had splintered. With one stout thala leg, as thick as my arm, had I battered upon that window. All I had accomplished was the transformation of chair into kindling. The hulion, I chided myself, could have fared no better.
Hulions, upon occasion, have been known to eat man-flesh. Hulions, furred and winged, fanged and clawed, are the servants of the dharen who rules Silistra. I had had no need to fear. Yet, I thought as I gathered the arrar Carth’s scattered papers, hulions are fearsome. Perhaps if I had been able, as others are, to hear its mind’s intent, I would have felt differently. My fingers, numb and trembling, fumbled for the delicate sheets.
One in particular caught my eye. It was in Carth’s precise hand and headed: “Preassessment Monitoring of the Arrar Sereth. Enar Fourth Second, 25,697.”
I had met, once, the arrar Sereth. Upon my birthday, Macara fourth seventh, in the year ’696 had I met him, that night my child had been conceived. I had read of his exploits. He frightened me, killer of killers, enforcer for the dharen, he who wore the arrar: chald of the messenger. Sereth, scarred and lean and taut like some carnivore, who had loved the Keepress Estri, my namesake, and with her brought great change to Silistra in the pass Amarsa, 25,695 — yes, I had met him.
I sat myself down cross-legged on the Galeshir carpet, papers still strewn about, forgotten, and began to read:
The time is approximately three enths after sun’s rising, the weather clouded and cool, our position just south of the juncture of the Karir and Thoss rivers. I highly recommend that you look in upon the moment.
The arrar Sereth, on the brindle hulion Leir, touched his gol-knife. It was the first unnecessary movement he had made in over an enth. My presence, alongside upon a black hulion, disquieted him. The brindle, gliding at the apex of its bound, snorted. He touched its shoulder, and the beast, obedient, angled its wings and began its descent.
When its feet touched the grass, he set it at a grounded lope. 1 followed suit, bringing my black up to pace him.
Sereth regarded me obliquely. I, as he, served the dharen, he thought, and touched his hulion to a stop.
We had been riding all the night, up from Galesh, where I had met him with the two beasts. He had served the dharen, most lately, in Dritira. And before that, in the hide diet, and before that upon the star world M’ksakka had he dealt death and retribution at Khys’ whim. And dealt them successfully, though those tasks had been fraught with deadlier risk than a man might be expected to survive. His thought was wry, recollecting.
“How did you find M’ksakka?” I asked, to key him, to bring something else above the impenetrable shield he has constructed. My hulion rumbled at the brindle he rode, and that one answered.
“I will make a full report to Khys,” he said, slipping off the hulion’s back. “Let us rest them.”
I joined him where he lay upon the grass, staring at the sky.
“I missed this land,” he said. “The sky there is dark and ominous, always cloudy. M’ksakkan air stings eyes and lungs. Everything is covered with a fine black dust. I would not go again off the planet.”
“Perhaps he will not send you,” I conjectured.
He saw M’ksakka, and that seeing was colored by his distaste, both for the world and the work he had done there. The methods he had employed displeased his sense of fitness. The value of the M’ksakkan’s death was to him obscure. I saw the moment: the adjuster’s surprised eyes, wide and staring as Sereth’s fingers closed on his throat, around his windpipe,·the M’ksakkan’s clawing hand upon his wrist as he ripped out the man’s larynx, vocal folds dangling; then the blood, spurting, and the sound of the adjuster’s choking death. And I saw others he had killed, those who were anxious to try their skills against a real live Silistran. He had been hesitant to do so, but more hesitant to face an endless line of their ilk, so he had killed the first three. Again, his thoughts sank below readable level. The hulions lay quiet, lashing their tails. The clouds scudded heavy over the sun. A soft, drizzling rain commenced.
“The dharen is pleased with you,” I said.
He sat up, his mind absolutely inviolate. “What do you want, Carth?” He stared down at me. I lay perfectly still. He made no attempt to read me for his answer. He merely waited.
“A first impression. You are coming up for assessment.” I rose up. “We want to get some sense of you. Your mental health is now our concern.” He ducked his head, ripping grass from the sward. “You brought child upon that well woman in Dritira,” I prodded.
He saw her. In many ways she had reminded him of the Keepress. It had been passes since he had taken a woman. On M’ksakka there were females, but nothing he understood to be a woman. He had not couched many of them. And in hide diet, there were only forereaders. In Dritira, with that woman who reminded him of the Keepress, he had spent his long-pent seed. Four times he had used her, before she was more than a receptacle in his sight. And he had abused her, more than was his custom.
“Get me the forms. I will collect my birth-price,” he answered. He did not want the woman.
“You should take her. We have been considering her. She might yet make a forereader.”
“Then it is a pity she caught. From inferior blood can come only inferior stock.”
“Khys has asked me,” I told him, “to bid you welcome to any of the forereaders we hold in common at the Lake. Spawn from such a union surely would be possessed of talent. The bitterness you hold is out of proportion to the reality. We all, at one time or another, find there is something we want that we may not have.”
He did not answer me, but rose and went to his hulion. He thought of the Keepress Estri as one thinks of the dead, with acceptance; and then thought of his own life, and what compromises he has made to keep it. What he let me know, I have no doubt, will please you. What he did not — that is what concerns me. He allowed me nothing else for the duration of our return.
His shield, as you will find, is set lower and much farther into his deeper conscious than any I have encountered. Most of his processing must take place behind it. Deep-reading him is out of the question. He visualizes barely enough to verbalize his will. That he is functioning superbly is attested by his works. That he feels it to his advantage to serve us at present is a certainty. I worry over what might occur should he choose, eventually, not to serve us.
My formal recommendation is for a complete and detailed assessment. Also, I feel some attempt might be made to pacify him, in light of what he is fast becoming. Or perhaps even to eliminate him, lest he become, like Se’keroth, the weapon turned upon the wielder.
And it was signed Carth.
“Carth!” I gasped, as a dark hand snatched the sheet from my grasp. Still upon my knees, I twisted to see him. His dark eyes gleamed. He ran his hand through his black curls.
“Did you find this informative, Estri?” he asked, towering over me, the paper crumpled in his fist. Carth was furious.
I dared not answer. I started to my feet.
“Pick these up!” he commanded, pointing.
I scurried to obey him, scrambling for the leaves strewn upon the web-work carpet, my stomach a knot. Once before, I had seen Carth this agitated, when I had written for him a certain paper. And he had called it audacious, and destroyed it. I finished, and rose to my full height, handing the tas envelope to him. My head came to his shoulder. He looked down at me, stern-faced.
“You were ill-advised to do this,” he said. “The dharen is not pleased with you. This” — he threw the crumpled sheet across the room — “will only aggravate matters. You had best make some effort to placate him.”
“What do you mean?” I demanded. “Has he taken some sudden interest in me?” I had seen the dharen precisely three times since I had come to reside at the Lake of Horns: the night he had gotten me with child, the day following, and once while I lay near death when the unborn had driven me to seek it. He had not been at the Lake of Horns when I bore his he-beast into the world. I had cried out for him during that premature and extended labor. He had been unavailable. Now, nearly eight passes later, he had returned.
“Do not be insolent!” Carth’s voice rasped as his palm cuffed my face to one side. Tears in my eyes, I put my hand to my cheek. It was what I had thought, not what I had said, that had brought me chastisement. Shaking my head, I backed away from him. Though I had known Carth a telepath, a surface-reader, rarest of Silistran talents, never had he shown his skills before me, one who neither spoke nor heard the tongues of mind.
“Estri, come here.”
I went to him, my hand trailing from my cheek to the warm, pulsing band locked about my throat.
When I stood before him, he lifted my face, his hand under my chin, so I must look into his eyes.
“He is very angry, child. You must realize that what you think is as audible to him as what you say. I know it was not malicious, that you read what you found. Forget it, if you can. Concentrate on what lies before you.” He patted my back, all the anger gone out of him.
“I do not want to see him,” I said, toying with the ends of my copper hair, grown now well below mid thigh.
Carth pursed his lips. “You have no choice. He will see you in a third-enth. Make ready.” And he turned and strode through the double doors that adjoined my prison to Khys’ quarters. Khys, my couch-mate, was again in residence. The dharen of all Silistra, back from none knew where, would again rule from the Lake of Horns.
Make ready, indeed, I thought, combing my hair. I had only the white, sleeveless s’kim I wore; thigh-length, of simple web-cloth. My jewelry was the band of restraint at my throat. I retied the garment upon my hips. Throwing my hair back, I regarded myself in my prison’s mirrored wall. My body, copper-skinned, lithe, only shades lighter than my thick mane, postured at me, arrogant. I had thought, for a time, that the he-beast had destroyed it, but such had not been the case. Exercise had given its grace and firmness back to me. My legs are very long, my waist tiny, hips slim. Pregnancy had altered me little. My breasts were still high and firm, my belly flat and tight. Good enough for him, surely. I widened my eyes suggestively, then stuck my tongue out at her. She made a face back. I grinned and wondered why I had done so, turning from the wall that ever showed me the boundaries of my world.





*Don’t miss the previous books in the series!**

Find them on Amazon



Best selling author Janet Morris began writing in 1976 and published more than 30 novels, many co-authored with her husband Chris Morris or others. She contributed short fiction to the shared universe fantasy series Thieves World, in which she created the Sacred Band of Stepsons, a mythical unit of ancient fighters modeled on the Sacred Band of Thebes. She created, orchestrated, and edited the Bangsian fantasy series Heroes in Hell, writing stories for the series as well as co-writing the related novel, The Little Helliad, with Chris Morris. She wrote the bestselling Silistra Quartet in the 1970s, including High Couch of Silistra, The Golden Sword, Wind from the Abyss, and The Carnelian Throne. This quartet had more than four million copies in Bantam print alone, and was translated into German, French, Italian, Russian and other languages. In the 1980s, Baen Books released a second edition of this landmark series. The third edition is the Author's Cut edition, newly revised by the author for Perseid Press. Most of her fiction work has been in the fantasy and science fiction genres, although she has also written historical and other novels. Morris has written, contributed to, or edited several book-length works of non-fiction, as well as papers and articles on nonlethal weapons, developmental military technology and other defense and national security topics.

Janet said: 'People often ask what book to read first. I recommend "I, the Sun" if you like ancient history; "The Sacred Band," a novel, if you like heroic fantasy; "Lawyers in Hell" if you like historical fantasy set in hell; "Outpassage" if you like hard science fiction; "High Couch of Silistra" if you like far-future dystopian or philosophical novels. I am most enthusiastic about the definitive Perseid Press Author's Cut editions, which I revised and expanded.'

 

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Follow the tour HERE for special content and a giveaway!


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Friday, April 10, 2026

*Cover Reveal & Giveaway* TAP Out

 


Check out the cover reveal of Tap Out!

Are You Ready To Rumble?


Tap Out

Sin City Book 2

by Rylee Dare

Genre: Contemporary MMA Sports Romance



Torin 

I achieved one dream while I screwed up another, but I was going to reclaim my Spitfire, and no one could stop me. She was still mine. 

 

Diem 

I’d been burned by men one too many times. So, yeah, it was better to forget about all of them because I’d never find what I truly wanted in a relationship. The elusive fairytale ending was just that. In real life, it didn’t exist. 

 

Soren 

The moment I saw a leather-clad goddess strut into my nightclub with a beast of a man, I knew I’d do anything to have her. The thing was, she insisted she was done with men and said my pursuit was a waste of time. 

 

Ha! We’d see about that. 

 

**COMING AUGUST 2026!**

 

Cover Model: Tony Brettman @tonybrettman 

Photographer: Eric Wainwright @wainrightimages 

Cover Design by: Elise Hoffman 







Like many authors who say they have been writing as long as they can remember, Rylee is the same.

Besides writing romance, she’s an avid reader and listener of audiobooks who supports all human-created arts and lives in the beautiful Smoky Mountains of Tennessee with her husband and their diva of a cat they adore.

 Rylee writes contemporary romance, sports romance, sci-fi, paranormal romance, and fantasy. She also writes contemporary romance, ranging from sweet to steamy, as well as inspirational romance, historical fiction, and romantic suspense under the name D.L. Lane.

 

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