Stuck at the very end of time.
If you love gritty dark fantasy, epic mythical battles, and
ancient gods interfering with mortals, you need to check out City at the Edge of Time by Janet and
Chris Morris!
City at the Edge of
Time
Sacred Band Series Book 5
by Janet & Chris Morris
Genre: Epic Heroic Fantasy Adventure
"An exciting and brilliantly colored sortie . . ."
- David Drake
Join Tempus and Niko on the triple shores of land, sea, and eternity . . .
Where a young girl trembles between love and sorcerous obsession . . .
Where a prince's refusal to admit his flaws makes him a pawn of hell . . .
Where a city of immortals learn that Death has not forgotten it . . .
In the catacombs beneath a warlock's citadel, swords and courage face the jaws
of demons -- with a girl's life and a god's vengeance resting on the outcome.
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A red
cloud rising out of the east was borne seaward on a hungry wind that howled
like a devil. It was a hot cloud, a wet cloud full of the promise of rain, and
yet it shed no drop on the forest below. It spread across the wilderness
without end, a cloud like a funnel, a cloud like a waterspout turned on its
side.
It crossed
the scorched earth between the forest and the city on the coast, low to the
ground and howling. Then it arched up like a striking snake, a hissing serpent
that ate the sky and reared high over the city’s walls.
By then no
one walked the city streets. Everywhere the city’s folk had fled indoors, even
from the courtyards of the king. No peltast stirred on the battlements; no
sentry held his ground. From within the walls of the palace, men peered out
through slits at the unnatural red storm.
Women held
each other in their boudoirs, and children sheltered under mothers’ skirts.
Noise went everywhere, carried on a wet and flailing wind that made hairs stand
up on arms and necks and dogs scramble under sturdy beds to whine.
Macon was
in his father’s stables with his sister Tabet when the maelstrom started; and
there he stayed, working with the grooms to calm the horses, lest one break a
leg rearing and kicking. Among horses, as men, hysteria travels fast.
Don’t miss the
rest of the Sacred Band Series!
The Sacred Band of Stepsons series is Homeric and heroic
fiction following the exploits of an ancient cavalry unit modeled on the Sacred
Band of Thebes. Deftly mixing history, myth, and fantasy, Morris’ Sacred Band
of Stepsons live and die in a world where gods are real and magic works —
sometimes.
Morris’ accursed cavalry commander, Tempus, first
appeared Sacred Band first appeared in the million-selling Thieves’ world
shared-universe in 1981. Subsequently, Janet Morris, first alone and
subsequently with her husband Chris Morris, take the Sacred Band into their own
series of novels, set in the fourth century BCE. Passionate, gritty, lyrical
prose and unforgettable characters make this series. Perseid Press Sacred Band
novels includes the “Author’s Cut” of the Beyond Sanctuary Trilogy and Tempus, as
well as the epic novel The Sacred Band, and The Fish the Fighters and the
Song-girl.
Find them at Perseid Press
Best selling author Janet
Morris began writing in 1976 and published more than 30 novels, many
co-authored with her husband Chris Morris or others. Most of her fiction work
was in the fantasy and science fiction genres, although she also wrote
historical and other novels. Morris either wrote, contributed to, or edited
several book-length works of non-fiction, as well as papers and articles on
nonlethal weapons, developmental military technology and other defense and
national security topics.
Christopher Crosby
Morris (born 1946) is an American author of fiction and non-fiction, as
well as a lyricist, musical composer, and singer-songwriter. He is married to
author Janet Morris. He is a defense policy and strategy analyst and a
principal in M2 Technologies, Inc. He writes primarily as Chris Morris, but
occasionally uses pseudonyms.
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GUEST POST
What is something unique/quirky about you?
We are songwriters; You can hear our MCA album Christopher Morris Band on Soundcloud.com/Christopher-Morris and Chris’ more recent work on N1M.com/ChristopherCrosbyMorris.
Can you, for those who don't know you already, tell something about yourself and how you became an author?
Janet wrote her first novel in 1975 and Chris was the first one to read and comment on it. Their marriage survived. A routine emerged where Chris would read aloud all the new drafts and make edits on the spot. After a few books Chris’ ideas became frequent enough that we agreed he should have credit for writing, whereas before we had kept separate Janet’s storytelling and Chris’ songwriting. The rest, as they say is history.
Who is your hero and why?
Heraclitus of Ephesus, a pre-socratic philosopher, whose Cosmic Fragments foreshadow our knowledge of reality and how to perceive it. Among his precepts is the statement that change alone is unchanging. We’ve worked Heraclitus’ fragments in here and there throughout our books.
Which of your novels can you imagine being made into a movie?
All of them. We write cinematically, our books are vivid adventures written without knowing how they end, perfect for suspenseful films. I, the Sun, The Sacred Band, Outpassage and M.E.D.U.S.A. are particularly suited for cinema. The Threshold Series is a feast of opportunities for today’s special effects creators.
What inspired you, to write City at the Edge of Time?
We love horses, history and philosophy, so why not an ancient cavalry unit made up of paired fighters led by a centuries-old warrior sage with a god in his head? Tempus and his Sacred Band of Stepsons are cast in a moment stretching across all of recorded history.
Who designed your book covers?
Most of our covers, including City at the Edge of Time are realized by Roy Mauritsen, a gifted graphic artist.
Advice to writers?
As for advice to writers, here is all we know: write the story you want to read. Start at the beginning, go to the end, and stop. Seriously. From start to finish you must inhabit the construct in a manner that makes the reader choose to continue. If you, as the writer, can’t feel what it’s like being there, your readers won’t either. So close your eyes, look at your feet where they are standing on the story’s ground; tell us what you see. Tell us what you hear. Ask at the end of each paragraph, ‘what happens next?’. If you lose touch with it, wait until you’re back inside it. Tell the story that comes only to you, and from you, to us.
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