Tuesday, April 14, 2026

*Book Tour & Giveaway* Wind from the Abyss

 


Aristocrat. Outcast. Picara. Slave. Ruler ....

She is descended from the masters of the universe.

To hold her he challenges the gods themselves. 


Wind From the Abyss

The Silistra Quartet Book 3

by Janet Morris

Genre: Dystopian Epic SciFi Fantasy Romance



Dystopia. Fantasy. Science fiction. Allegory. Political.

 

Wind from the Abyss is the third volume in Janet Morris' classic Silistra Quartet, continuing one woman's quest for self-realization in a distant tomorrow.

Aristocrat. Outcast. Picara. Slave. Ruler .... She is descended from the masters of the universe. To hold her he challenges the gods themselves.

 

Praise for Janet Morris' Silistra Quartet:

"The amazing and erotic adventures of the most beautiful courtesan in tomorrow's universe." -- Fred Pohl

"Engrossing characters in a marvelous adventure." -- Charles N. Brown, Locus Magazine.

"The best single example of prostitution used in fantasy is Janet Morris' Silistra series." -- Anne K. Kahler, The Picara: From Hera to Fantasy Heroine.

 

This Perseid Press Author's Cut Edition is revised and expanded by the author and presented in a format designed to enhance your reading experience with larger, easy-to-read print, more generous margins, and covers designed for these premium editions.

 

Wind from the Abyss starts with this . . .

 

"Since, at the beginning of this tale, I did not recollect myself nor retain even the slightest glimmer of such understanding as would have led me to an awareness of the significance of the various occurrences that transpired at the Lake of Horns, I am adding this preface, though it was no part of my initial conception, that the meaningfulness of the events described by "Khys' Estri" (as I have come to think of the shadow-self I was while the dharen held my skills and memory in abeyance) not be withheld from you as they were from me. I knew myself not: I was Estri because the girl Carth supposedly found wandering in the forest stripped of comprehension and identity chose that name. There, perhaps, lies the greatest irony of all, that I named myself anew after Estri Hadrath diet Estrazi, who in reality I had once been. And perhaps it is not irony at all, but an expression of Khys' humor, an implicit dissertation by him who structured my experiences, my very thoughts, for nearly two years, until his audacity drove him to bring together once more Sereth crill Tyris, past-Slayer, then the outlawed Ebvrasea, then arrar to the dharen himself; Chayin rendi Inekte, cahndor of Nemar, co-cahndor of the Taken Lands, chosen son of Tar-Kesa, and at that time Khys' puppet-vassal; and myself, former Well-Keepress, tiask of Nemar, and lastly becoming the chaldless outlaw who had come to judgment and endured ongoing retribution at the dharen's hands. To test his hesting, his power over owkahen, the time-coming-to-be, did Khys put us together, all three, in his Day-Keeper's city -- and from that moment onward, the Weathers of Life became fixed: siphoned into a singular future; sealed tight as a dead god in his mausoleum, whose every move brought him closer to the sum total, obliteration. So did the dharen Khys bespeak it, himself. . ."

 

“Morris, so good at giving us characters we can identify with, characters we can love and hate, strikes at the very heart of the human condition and the duality of humanity — both good and evil. Her prose is lean and spot-on, every word carefully chosen to enhance the milieu of her imaginary world and advance the plot, giving us access to the thoughts, emotions and machinations of the people whose stories she is presenting to us. Once again, she gives us a “thinking man’s” science fiction/fantasy that explores the nature of power and sexuality, and how they can be used, misused and abused. This is a brilliant, mature and very adult novel that will not only leave you thinking about your own place in the universe, but questioning the very nature of existence.” – Goodreads reviewer

 

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I.In Mourning for the Unrecollected

 

The hulion hovered, wings aflap, at the win­dow, butting its black wedge of a head against the pane. Its yellow eyes glowed cruelly, slit-pupiled. Its white fangs, gleam­ing, were each as long as my forearm.
I screamed.
Its tufted ears, flat against its head, twitched. Again and again, toothed mouth open wide, it battered at the window, roaring.
Once more I screamed and ran stumbling to the far wall of my prison. I pounded upon the locked doors with my fists, pressing myself against the wood. Sobbing, I turned to face it.
The beast’s ears flickered at the sound. Those jaws, which could have snapped me in half, closed. It cocked its head.
I trembled, caught in its gaze. I could retreat no farther. I sank to my knees, moaning, against the door frame.
The beast gave one final snort. Those wings, with a spread thrice the length of a tall man, flapped decisively, and it was gone.
When the hulion was no more than a speck in the greening sky, I rose clumsily, shaking, to collect the papers I had strewn across the mat in my terror. They were the arrar Carth’s papers, those he had forgotten in his haste to answer his returning master’s summons.
I knelt upon my hands and knees on the silvery pile, that I might gather the pages and replace them in the tas-sueded folder before Carth returned.
Foolish, I thought to myself, that I had so feared the hulion. It could not have gotten in. I could not get out: It could not get in. Once I had thrown a chair at that impervious clarity. The chair had splintered. With one stout thala leg, as thick as my arm, had I battered upon that window. All I had accomplished was the transformation of chair into kindling. The hulion, I chided myself, could have fared no better.
Hulions, upon occasion, have been known to eat man-flesh. Hulions, furred and winged, fanged and clawed, are the servants of the dharen who rules Silistra. I had had no need to fear. Yet, I thought as I gathered the arrar Carth’s scattered papers, hulions are fearsome. Perhaps if I had been able, as others are, to hear its mind’s intent, I would have felt differently. My fingers, numb and trembling, fumbled for the delicate sheets.
One in particular caught my eye. It was in Carth’s precise hand and headed: “Preassessment Monitoring of the Arrar Sereth. Enar Fourth Second, 25,697.”
I had met, once, the arrar Sereth. Upon my birthday, Macara fourth seventh, in the year ’696 had I met him, that night my child had been conceived. I had read of his exploits. He frightened me, killer of killers, enforcer for the dharen, he who wore the arrar: chald of the messenger. Sereth, scarred and lean and taut like some carnivore, who had loved the Keepress Estri, my namesake, and with her brought great change to Silistra in the pass Amarsa, 25,695 — yes, I had met him.
I sat myself down cross-legged on the Galeshir carpet, papers still strewn about, forgotten, and began to read:
The time is approximately three enths after sun’s rising, the weather clouded and cool, our position just south of the juncture of the Karir and Thoss rivers. I highly recommend that you look in upon the moment.
The arrar Sereth, on the brindle hulion Leir, touched his gol-knife. It was the first unnecessary movement he had made in over an enth. My presence, alongside upon a black hulion, disquieted him. The brindle, gliding at the apex of its bound, snorted. He touched its shoulder, and the beast, obedient, angled its wings and began its descent.
When its feet touched the grass, he set it at a grounded lope. 1 followed suit, bringing my black up to pace him.
Sereth regarded me obliquely. I, as he, served the dharen, he thought, and touched his hulion to a stop.
We had been riding all the night, up from Galesh, where I had met him with the two beasts. He had served the dharen, most lately, in Dritira. And before that, in the hide diet, and before that upon the star world M’ksakka had he dealt death and retribution at Khys’ whim. And dealt them successfully, though those tasks had been fraught with deadlier risk than a man might be expected to survive. His thought was wry, recollecting.
“How did you find M’ksakka?” I asked, to key him, to bring something else above the impenetrable shield he has constructed. My hulion rumbled at the brindle he rode, and that one answered.
“I will make a full report to Khys,” he said, slipping off the hulion’s back. “Let us rest them.”
I joined him where he lay upon the grass, staring at the sky.
“I missed this land,” he said. “The sky there is dark and ominous, always cloudy. M’ksakkan air stings eyes and lungs. Everything is covered with a fine black dust. I would not go again off the planet.”
“Perhaps he will not send you,” I conjectured.
He saw M’ksakka, and that seeing was colored by his distaste, both for the world and the work he had done there. The methods he had employed displeased his sense of fitness. The value of the M’ksakkan’s death was to him obscure. I saw the moment: the adjuster’s surprised eyes, wide and staring as Sereth’s fingers closed on his throat, around his windpipe,·the M’ksakkan’s clawing hand upon his wrist as he ripped out the man’s larynx, vocal folds dangling; then the blood, spurting, and the sound of the adjuster’s choking death. And I saw others he had killed, those who were anxious to try their skills against a real live Silistran. He had been hesitant to do so, but more hesitant to face an endless line of their ilk, so he had killed the first three. Again, his thoughts sank below readable level. The hulions lay quiet, lashing their tails. The clouds scudded heavy over the sun. A soft, drizzling rain commenced.
“The dharen is pleased with you,” I said.
He sat up, his mind absolutely inviolate. “What do you want, Carth?” He stared down at me. I lay perfectly still. He made no attempt to read me for his answer. He merely waited.
“A first impression. You are coming up for assessment.” I rose up. “We want to get some sense of you. Your mental health is now our concern.” He ducked his head, ripping grass from the sward. “You brought child upon that well woman in Dritira,” I prodded.
He saw her. In many ways she had reminded him of the Keepress. It had been passes since he had taken a woman. On M’ksakka there were females, but nothing he understood to be a woman. He had not couched many of them. And in hide diet, there were only forereaders. In Dritira, with that woman who reminded him of the Keepress, he had spent his long-pent seed. Four times he had used her, before she was more than a receptacle in his sight. And he had abused her, more than was his custom.
“Get me the forms. I will collect my birth-price,” he answered. He did not want the woman.
“You should take her. We have been considering her. She might yet make a forereader.”
“Then it is a pity she caught. From inferior blood can come only inferior stock.”
“Khys has asked me,” I told him, “to bid you welcome to any of the forereaders we hold in common at the Lake. Spawn from such a union surely would be possessed of talent. The bitterness you hold is out of proportion to the reality. We all, at one time or another, find there is something we want that we may not have.”
He did not answer me, but rose and went to his hulion. He thought of the Keepress Estri as one thinks of the dead, with acceptance; and then thought of his own life, and what compromises he has made to keep it. What he let me know, I have no doubt, will please you. What he did not — that is what concerns me. He allowed me nothing else for the duration of our return.
His shield, as you will find, is set lower and much farther into his deeper conscious than any I have encountered. Most of his processing must take place behind it. Deep-reading him is out of the question. He visualizes barely enough to verbalize his will. That he is functioning superbly is attested by his works. That he feels it to his advantage to serve us at present is a certainty. I worry over what might occur should he choose, eventually, not to serve us.
My formal recommendation is for a complete and detailed assessment. Also, I feel some attempt might be made to pacify him, in light of what he is fast becoming. Or perhaps even to eliminate him, lest he become, like Se’keroth, the weapon turned upon the wielder.
And it was signed Carth.
“Carth!” I gasped, as a dark hand snatched the sheet from my grasp. Still upon my knees, I twisted to see him. His dark eyes gleamed. He ran his hand through his black curls.
“Did you find this informative, Estri?” he asked, towering over me, the paper crumpled in his fist. Carth was furious.
I dared not answer. I started to my feet.
“Pick these up!” he commanded, pointing.
I scurried to obey him, scrambling for the leaves strewn upon the web-work carpet, my stomach a knot. Once before, I had seen Carth this agitated, when I had written for him a certain paper. And he had called it audacious, and destroyed it. I finished, and rose to my full height, handing the tas envelope to him. My head came to his shoulder. He looked down at me, stern-faced.
“You were ill-advised to do this,” he said. “The dharen is not pleased with you. This” — he threw the crumpled sheet across the room — “will only aggravate matters. You had best make some effort to placate him.”
“What do you mean?” I demanded. “Has he taken some sudden interest in me?” I had seen the dharen precisely three times since I had come to reside at the Lake of Horns: the night he had gotten me with child, the day following, and once while I lay near death when the unborn had driven me to seek it. He had not been at the Lake of Horns when I bore his he-beast into the world. I had cried out for him during that premature and extended labor. He had been unavailable. Now, nearly eight passes later, he had returned.
“Do not be insolent!” Carth’s voice rasped as his palm cuffed my face to one side. Tears in my eyes, I put my hand to my cheek. It was what I had thought, not what I had said, that had brought me chastisement. Shaking my head, I backed away from him. Though I had known Carth a telepath, a surface-reader, rarest of Silistran talents, never had he shown his skills before me, one who neither spoke nor heard the tongues of mind.
“Estri, come here.”
I went to him, my hand trailing from my cheek to the warm, pulsing band locked about my throat.
When I stood before him, he lifted my face, his hand under my chin, so I must look into his eyes.
“He is very angry, child. You must realize that what you think is as audible to him as what you say. I know it was not malicious, that you read what you found. Forget it, if you can. Concentrate on what lies before you.” He patted my back, all the anger gone out of him.
“I do not want to see him,” I said, toying with the ends of my copper hair, grown now well below mid thigh.
Carth pursed his lips. “You have no choice. He will see you in a third-enth. Make ready.” And he turned and strode through the double doors that adjoined my prison to Khys’ quarters. Khys, my couch-mate, was again in residence. The dharen of all Silistra, back from none knew where, would again rule from the Lake of Horns.
Make ready, indeed, I thought, combing my hair. I had only the white, sleeveless s’kim I wore; thigh-length, of simple web-cloth. My jewelry was the band of restraint at my throat. I retied the garment upon my hips. Throwing my hair back, I regarded myself in my prison’s mirrored wall. My body, copper-skinned, lithe, only shades lighter than my thick mane, postured at me, arrogant. I had thought, for a time, that the he-beast had destroyed it, but such had not been the case. Exercise had given its grace and firmness back to me. My legs are very long, my waist tiny, hips slim. Pregnancy had altered me little. My breasts were still high and firm, my belly flat and tight. Good enough for him, surely. I widened my eyes suggestively, then stuck my tongue out at her. She made a face back. I grinned and wondered why I had done so, turning from the wall that ever showed me the boundaries of my world.





*Don’t miss the previous books in the series!**

Find them on Amazon



Best selling author Janet Morris began writing in 1976 and published more than 30 novels, many co-authored with her husband Chris Morris or others. She contributed short fiction to the shared universe fantasy series Thieves World, in which she created the Sacred Band of Stepsons, a mythical unit of ancient fighters modeled on the Sacred Band of Thebes. She created, orchestrated, and edited the Bangsian fantasy series Heroes in Hell, writing stories for the series as well as co-writing the related novel, The Little Helliad, with Chris Morris. She wrote the bestselling Silistra Quartet in the 1970s, including High Couch of Silistra, The Golden Sword, Wind from the Abyss, and The Carnelian Throne. This quartet had more than four million copies in Bantam print alone, and was translated into German, French, Italian, Russian and other languages. In the 1980s, Baen Books released a second edition of this landmark series. The third edition is the Author's Cut edition, newly revised by the author for Perseid Press. Most of her fiction work has been in the fantasy and science fiction genres, although she has also written historical and other novels. Morris has written, contributed to, or edited several book-length works of non-fiction, as well as papers and articles on nonlethal weapons, developmental military technology and other defense and national security topics.

Janet said: 'People often ask what book to read first. I recommend "I, the Sun" if you like ancient history; "The Sacred Band," a novel, if you like heroic fantasy; "Lawyers in Hell" if you like historical fantasy set in hell; "Outpassage" if you like hard science fiction; "High Couch of Silistra" if you like far-future dystopian or philosophical novels. I am most enthusiastic about the definitive Perseid Press Author's Cut editions, which I revised and expanded.'

 

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Follow the tour HERE for special content and a giveaway!


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Friday, April 10, 2026

*Cover Reveal & Giveaway* TAP Out

 


Check out the cover reveal of Tap Out!

Are You Ready To Rumble?


Tap Out

Sin City Book 2

by Rylee Dare

Genre: Contemporary MMA Sports Romance



Torin 

I achieved one dream while I screwed up another, but I was going to reclaim my Spitfire, and no one could stop me. She was still mine. 

 

Diem 

I’d been burned by men one too many times. So, yeah, it was better to forget about all of them because I’d never find what I truly wanted in a relationship. The elusive fairytale ending was just that. In real life, it didn’t exist. 

 

Soren 

The moment I saw a leather-clad goddess strut into my nightclub with a beast of a man, I knew I’d do anything to have her. The thing was, she insisted she was done with men and said my pursuit was a waste of time. 

 

Ha! We’d see about that. 

 

**COMING AUGUST 2026!**

 

Cover Model: Tony Brettman @tonybrettman 

Photographer: Eric Wainwright @wainrightimages 

Cover Design by: Elise Hoffman 







Like many authors who say they have been writing as long as they can remember, Rylee is the same.

Besides writing romance, she’s an avid reader and listener of audiobooks who supports all human-created arts and lives in the beautiful Smoky Mountains of Tennessee with her husband and their diva of a cat they adore.

 Rylee writes contemporary romance, sports romance, sci-fi, paranormal romance, and fantasy. She also writes contemporary romance, ranging from sweet to steamy, as well as inspirational romance, historical fiction, and romantic suspense under the name D.L. Lane.

 

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Follow the reveal HERE for special content and a giveaway!





Thursday, April 9, 2026

*Release Tour & Giveaway* Lance

 


When her world loses its color, he’s the only one who can help her find the brush again.


Lance

Loving a Lancaster Book 4

by Stacy Eaton

Genre: Contemporary Small-Town Romance



As a Forensic Accountant, Lance Lancaster lives on facts and the small details that get overlooked. When his firm takes on a new client, and Aurora Moonshadow enters the room, the facts he lived by and relied on quickly begin to vanish, leaving him in the unknown territory of protective gemstones and Navajo folklore.

Aurora Moonshadow believes in signs and living every minute to the fullest. After her father passes and she takes over the family business, she finds herself unable to understand the dire situation her father left behind. That is until Lance arrives to help her. The creativity that has been hidden by grief quickly emerges after meeting him, and Aurora is on top of the world until her protective bracelet breaks.

When Aurora goes missing, Lance returns to Sedona and will do just about anything to help find her. Learning that she started painting again after their one night together makes Lance even more determined to locate her and bring her home safe.

Will they be able to find Aurora before everything she loves is destroyed, including herself? Or will Lance be left with only her final painting?

Lance is the fourth book in the Loving a Lancaster Series. This series spin-off of the Loving a Winston Series, which spins off the Loving a Young Series.


**NEW RELEASE!**

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**Don’t miss the rest of the Loving a Lancaster series!**


Leo, Book 1
Luna, Book 2
Levi, Book 3
Lance, Book 4

Find them on Amazon!

 

Stacy Eaton is a USA Today Bestselling author and began her writing career in October of 2010. Stacy took early retirement from law enforcement after over fifteen years of service in 2016 due to a second serious concussion. Her last three years on the job were in investigations and crime scene investigation. She now writes full-time.

Stacy resides in southeastern Pennsylvania with her husband, who works in law enforcement. She has a daughter in college and a son who is currently serving in the United States Navy.

Stacy writes a variety of genres, but mostly romance. She enjoys writing real-life stories that people can relate to with real-life problems, emotions, and solutions.

Her favorites: Classic cars, photography, Disney, music, coffee, and her favorite sweatshirt that says, You are dangerously close to getting killed in my next novel.

 

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Follow the tour HERE for special content and a giveaway!


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Wednesday, April 8, 2026

*Book Tour & Giveaway* Ghostly Returns

 


Irish folklore meets small town USA


Ghostly Returns

Ghostly Howls Book 2

by Stephanie Hansen

Genre: Paranormal Romance, Urban Fantasy, Romantasy



Irish folklore meets small town USA

Strange visitors have appeared in Ethel, their clothes and mannerisms jarring against the familiar rhythm of the coastal town. The woman in Orla and Dave's spare room speaks in archaic phrases and marvels at electric lights, while the silent man staying with Molly and Cormac carries a translucent device that glows with symbols no one recognizes.

As fog rolls in from the sea, bringing with it the now-familiar whispers and cold spots that signal another haunting, the four friends realize they must unravel the temporal mystery before them. The clock tower strikes at midnight, and both past and future hang in the balance.

*Contains mature themes, open door sex scenes, and mature language.

 

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Three years ago, the small town of Ethel, VA, was rocked to its core when the lighthouse became a beacon for something an-cient and hungry. Every year since then, we’ve cast a protection spell, tying knots in rope while visualizing a protective shield, at the weathered tower a week before Samhain, our voices car-ried away by the salt-tinged wind. This year’s no different.

Cormac’s slender fingers intertwine with mine as we ap-proach Orla and Dave across the grassy shoreline. We’ve man-aged to mostly heal from the toxic tendencies of the past—the jealousy, the competition, the midnight arguments that left scorch marks on the walls. Magical abilities complementing each other have a tendency to do that, like puzzle pieces finally finding their fit.

The mid-October sunlight glints off Cormac’s long, blonde hair, turning each strand into spun gold against the blue sky. We don’t meet here at night anymore, not since the shadows began to move independently of their owners. She gently squeezes my hand in reassurance, slight crow’s feet crinkling around her eyes with a smile that blooms one of my own in return. She tries to continue her broody exterior by wearing a scuffed leather jacket with silver buckles, but her face is too full of light these days to continue the façade.

“It’s about time you two showed up,” Orla says as she wraps me in a hug, her dark curls tickling my cheek. Her automatic soul-possessing ability takes hold straight away, a warm honey-like sensation flooding through my veins. I feel her anxiety—sharp and metallic—and she feels mine. While hers is about the treacherous events three years ago, mine is about the small vel-vet box burning a hole in my pocket, holding a moonstone ring for Cormac.

I know she’ll say yes; I hear Orla’s thoughts echo in my mind like a whisper in an empty room. To assuage her anxiety, I push forward images of Cormac and me from earlier in the morning. We’d stayed in bed, all consumed with passionate kisses and bodies moving in rhythmic dance together; sheets twisted around our ankles, the taste of her still on my lips.

Okay, okay, you’re excused for being late, Orla sends through the connection, her mental voice tinged with amuse-ment. Then it’s gone as Dave, tall and broad-shouldered in his flannel-lined jacket, gently pulls her out of the hug. He com-plements her power as Cormac complements mine, his deep voice carrying over the crash of waves against the shore.

“Did you actually expect them to be on time?” he asks her, his breath visible in the chilly air.

Orla looks at me, her eyes sparkling, and we snicker like schoolgirls sharing a secret.

“Some of us know how to keep a woman in bed,” I goad Dave, watching his cheeks flush crimson.

Before he can respond, Cormac says, “Guys, I think you should come over here,” her voice tight with tension.

She’s rounding the other side of the lighthouse, her boots crunching on the path. I jog over to her, worried she might be in danger, the wind whipping my hair across my face. Once I’m next to her, I’m struck with frozen terror, my breath catching in my throat. As Orla and Dave’s footsteps catch up, I try to count the sleeping bodies sprinkled around the remnants of a bonfire.

Sprawled across the damp autumn ground lies a peculiar as-sembly of slumbering figures—some adorned in woolen cloaks and flowing medieval gowns; others draped in shimmering flapper dresses and tweed vests and flat caps. The incongruous sight sends a chill down my spine, conjuring memories of that haunted night years ago when phantoms in pheasant feathers and tarnished armor materialized from the mist. Could history be repeating itself? I draw Cormac closer, my fingers tightening protectively around her shoulder. A bitter wind sweeps through the clearing, rustling crimson leaves and stirring the strange visitors from their dreams.

“Oh, halloo,” calls a woman with cascading silver-streaked hair that catches the morning light. Deep laugh lines frame her eyes as she rises gracefully to her feet, brushing debris from her embroidered skirts. Her button nose crinkles above heart-shaped lips as she smiles warmly. “I’m Marie. We weren’t expecting anyone so early.”

“You’re days early for Samhain,” Orla informs her, her voice carrying across the clearing.

“Samhain!” exclaims a younger woman with stylish curls and bright eyes. She leaps up, clapping her hands together with enthusiasm, silver bracelets jingling at her wrists. “I’m Florian. I absolutely adore a proper shindig.”

Another woman glides forward, her tweed vest firmly hug-ging her body. She loops her arm possessively around Florian’s slender waist and extends her other hand, adorned with bangles that glint in the early light. “Kiersten,” she offers, her voice me-lodic but guarded.

“Molly, and this is Cormac,” I reply, mirroring Kiersten’s protective gesture by drawing Cormac against my side, feeling her warmth through her leather jacket.

“Might there be lodgings available in your village?” Marie inquires, her eyes scanning the distant rooftops visible through the thinning trees.

“Not anywhere that could accommodate a gathering of this size,” Dave responds, his weathered hands resting on his leather belt.

A tall woman with anxious eyes approaches Orla hesitantly. A man with sandy blond hair clutches her trembling arm as she nervously smooths out her skirt. Dave and I don’t miss her flinch with his touch, juxtaposing their closeness. It resurfaces memories from when Dave and Orla couldn’t touch. “Hello, I’m Claudia,” she murmurs, “and may I present Alex?” Her delicate fingers twist together nervously while Alex soothingly rubs her goosebump-covered arms.

“Orla and Dave,” Dave announces, nodding curtly. When Alex extends his hand to Orla, Dave intercedes and shakes his hand, so Orla doesn’t have to.

“Um, Orla,” Alex interjects, his deep voice surprisingly gen-tle. “Pardon our intrusion, but might Claudia ask you something rather personal?”

“Of course, what troubles you?” Orla asks, leaning forward with interest.

“Do you perceive others’ thoughts when you make physical contact?” Claudia whispers, her pale cheeks blooming with a rosy flush that spreads to the tips of her ears.

“Perhaps we should escort this assemblage to our home-stead,” Dave interrupts, clearing his throat. “We have several spare rooms. Not sufficient for everyone, but certainly prefera-ble to camping outside.”

“We’d be eternally grateful,” Marie responds, casting a con-cerned sideways glance at Claudia’s distressed expression. “A proper rest would benefit us tremendously after our... unusual journey.”




Ghostly Howls

Ghostly Howls Book 1




Irish folklore meets small town USA

A heartbroken half banshee, a cockle selling soul possessor, and a town haunted by mysteries…if they don't find the killer, Orla and Molly might die before finding their soulmates.

Orla and Dave's love has been unrequited for as long as they can remember. Cormac and Molly are used to drawing outside the lines. None of them are prepared for the new ghostly neighbors.

In a town that's always ostracized them, can Molly and Orla finally use their powers openly in order to save the citizens?

*Contains mature themes, open door sex scenes, and mature language.

*Don't miss the YA series also by Stephanie Hansen - Altered Helix & Replaced Parts







Stephanie Hansen is a PenCraft and Global Book Award Winning Author as well as an Imadjinn finalist. Her debut novella series, Altered Helix, released in 2020. It hit the #1 New Release, #1 Best Seller, and other top 100 lists on Amazon. It is now being adapted to an animated story for Tales. Her debut novel, Replaced Parts, released in 2021 through Fire & Ice YA and Tantor Audio. It has been in a Forbes article, hit Amazon bestseller lists, and made the Apple young adult coming soon bestsellers list. The second book in the Transformed Nexus series, Omitted Pieces, released in 2022. Her debut spicy paranormal romance, Ghostly Howls, released 2023. Her debut historical magical realism, Armored Hours, released 2024. The Armored Hours sequel, Guarded Time, released 2025 and the Ghostly Howls sequel, Ghostly Returns, released 2026. She is a member of the deaf and hard of hearing community, so she tries to incorporate that into her fiction.

 

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Tuesday, April 7, 2026

*Book Tour & Giveaway* The Cursed

 


The gods are not dead. 

They are waiting in the dark between the stars.


The Cursed

by Costi Gurgu

Genre: Space Opera Horror




The Earth is compromised and forbidden. The human Imperium stretches throughout the galaxy. It terraforms planets with indigenous life, destroying it. An organization fights against these terraforming projects, and it is pronounced a terrorist organization by the government and the Imperator.

JO WARWICK, the heiress of Warwick Galactic Enterprises, is on an archeological mission on the forbidden Earth. She contracts an unknown disease, and her expedition leaves Earth. While in space, the disease kills everyone on board but her, as she seems protected by an invisible shield.

Captain TOSHI HUNTER and his crew are activists fighting against the terraformation projects, and after a failed attack on one of these projects, they are pursued by the imperial ships. The chase goes on, but they manage to escape.

And by chance, they discover the unmoving, silent ship of Jo Warwick. They board it and see the massacre inside, but manage to save Jo.

Jo and Toshi begin their adventure in uncovering the truth and the origin of this mysterious disease that now threatens the galaxy, while being hunted by the imperial troops.

 

What readers are saying:

 “…Prose that is gritty, direct, and sometimes a touch awkward powers a voyage of grand proportions as a diverse cast, ancient aliens, sensory worldbuilding, and space battles entertain with thrilling action. In this quick read, Gurgu reveals the foolishness of humanity, moral dilemmas, the folly of war, and the hope of second chances in a hearty science fiction adventure.” _BookLife Review

 

“…Ultimately, The Cursed delivers the pleasures of expansive science fiction: big stakes, bigger ideas, and heroes whose personal journeys matter as much as the fate of the galaxy. Gurgu offers an energetic, imagination-rich ride that will appeal to readers eager for adventurous sci-fi drama—and leaves the door open for further exploration among the stars.”  —CANREADS BOOK REVIEW

 

“Overall, the author has a keen knack for mixing and melding SF and the supernatural in all kinds of intriguing ways. Clear allusions to vampirism would be too obvious; Gurgu opts instead for more obscure archetypes: When was the last time one read about a wendigo in outer space? A fast-paced and fun adventure beyond the stars.” - _Kirk’s Reviews

  

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1.      The Red Tattoo

 

      The archeology team was busy and noisy inside the Bats Cave. The huge boulders blocking the entrance of the dry, large, very deep cave had not been a real deterrent for Jo Warwick. Young, strong, and beautiful, she was not used to rejection or defeat.

The cave was a hidden gem discovered recently in the Carpathian Mountains on Earth. The entire place seemed to be a treasure trove. And “discovered recently” meant after the interdiction against stepping on Earth had been put in place. After the interdiction and especially the defense mechanism had been put into place. But that was not something to keep Jo’s family, the powerful Warwicks, away. Not even the imperator could stop a Warwick if they put their mind to doing something.

The co-op students were giggling as they worked, sometimes louder than they thought they were. With the help of electrical lamps they were collecting and cataloging ceramic pieces, stone tools, animal remains. Next to them, real archeologists were slowly carving into the floor after more remains. The cave was full to the brim with signs of a very old civilization. A civilization that Jo hoped to prove was part of the Vinca culture. The project of her life.

Professor Hannigan, a corpulent man of about sixty, was studying some cave paintings. He tried not to expose them to too much light, or heat, or sweat, or anything else for that matter. He was mumbling while studying. His custom, as Jo knew, adding to the general noise in the confined space of the cave. It was becoming quite claustrophobic.

Jo was in her mid-twenties, athletic, newly graduated from the university, and already in charge of her first dig. She knew how students could get, but that didn’t mean she agreed with the practice and the indulgences.

She approached the walls with paintings, or more accurately, pictographs. One of them in particular had drawn her attention. The drawn figures were vaguely human. Most had huge round eyes and concentric circular shapes on their bodies. That was specific to the Vinca culture, to the fashion or aesthetics of their times. That was why she could barely contain her enthusiasm, her joy—she was ninety-nine percent sure she’d just made the discovery of her life.

The pictograph that had drawn her attention was part of a group, representing small humanlike figures interacting with huge masked beings in weird, ritualistic suits. In the first panel in the group, the humans bowed to the masked figures, obviously their deities. There were no written sources for the Vinca culture, so nothing was known of their religion or mythology.

Jo got closer to the drawings.

“Silence!” she barked over the background noise in the cave. Everyone looked at her and shut up. She was known for a frightful temper and no one wanted to enter into a conflict with her.

“They’re just students on their first practicum,” said Hannigan in a low voice only the two of them could hear. He was like a grandfather to everyone on the team, always ready to indulge them and spoil them.

“Not on my money, they’re not,” said Jo. “They’re students in their first practice and one day they could brag about the experience they got here. They could brag and get the best paid gigs because of this.”

“Yes, but young people…” Hannigan hesitated, looking at Jo. Then, probably realizing he was talking to a young person, he gave up.

The best practice was to ignore the old man and leave it be. She had to put up with all his eccentricities because he was the best in the field and expert on this period of time in Earth’s history. And he was easy to satisfy in terms of credits and accolades. He valued money above all else.

So Jo returned to the pictographs. She got closer to the next one. In it, a man with a wolf head shot stars through some sort of weapon toward one of the masked figures. The masked figure’s body was covered in symbols and shone a bright red.

In the next panel, the masked figure had collapsed, probably dead. His body was still covered in unknown symbols.

Jo returned to the previous panel. The weapon looked like a bone, a real bone encrusted in stone. The stars shooting from it had started to sparkle and fluctuate. What the… Jo got even closer and tried to discern what could make it sparkle like that. There didn’t seem to be anything on the stone base but the painting. She extended her hand and held it above the sparks. No heat. She then touched the bone embedded in the stone. Dry, porous bone. She walked her fingers over the sparks and the shooting stars and then, a red spark passed from the stone to Jo’s skin.

Where it touched the skin a red impression, like a tattoo, spread on Jo’s skin. It had happened so fast that Jo couldn’t do anything else but watch the whole thing with curiosity. She lifted her camera to take a picture, but froze. The tattoo had spread up her arm and down her other arm and she realized it was all over her body, flickering on her skin. It felt like an electric shock. Jo shuddered and collapsed.








Costi’s fiction has appeared in Canada, the US, and Europe. He has sold 8 books and over 50 stories for which he has won 32 awards. He was three times a finalist for the Canadian Aurora Awards.

His latest sales include the anthologies Tesseracts 17, The Mammoth Book of Dieselpunk, Dark Horizons, Street Magick, Water, and Alice Unbound.

His bestselling novel RecipeArium has won three awards (Kult, Nemira, and Vladimir Colin) and was a 2018 finalist for the Aurora Awards.

His novels, “Servitude”, “Green Corrosion”, “Pink Corrosion”, and “Black Corrosion” were published in 2022, 2023, 2024, and 2025. And his latest novel “The Cursed” was launched on April 1st, 2026.

“Green Corrosion” has won four awards (Book Excellence, The Typesmith Writers, The International Impact Book, and the Maincrest Media Award).

“Black Corrosion” has been an Amazon Bestseller for three weeks and is a finalist for Canreads Awards 2026.

 

To find out more about Costi Gurgu visit https://costigurgu.com/

  

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