In a world where magic can save or shatter, Kol Mendona must survive lethal secrets—and an even deadlier love—as he discovers he might not be as human as he believed...
Wanderer of the Wastes
by Kit Karlsson
Genre: Fantasy Romance
Kol Mendona, one of the last humans on the magical
continent of Alon, is desperate to escape his dying underground
compound. When Alessi, a fierce dragon slayer with silver
eyes, arrives, Kol sees a way out. As they journey together through
the deadly wastes, an unexpected bond forms between them – one
fueled by passion and dangerous magic.
But as Kol’s
strange new powers awaken, their bond becomes increasingly unstable.
Something within him is changing in ways he doesn’t fully
understand, and if Alessi ever discovers the truth, Kol may lose more
than her affections...
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GUEST POST
My Publishing Journey: How I Signed My First Book to Lake Country Press
Kit Karlsson
There are many different routes to publication, but most fall into one of three categories: traditional, indie, and self-publishing. Self-publishing is fairly straightforward, while traditional publishing typically involves querying agents who then pitch your book to publishers. Indie publishing, a broad category, includes a process by which you pitch your book directly to publishers without an agent. Some small and medium-sized publishers accept unrepresented books for various reasons—one being they may just prefer not to work with agents.
In the writing community, indie publishing often carries a stigma, and this isn’t entirely without reason. Some so-called “indie” publishers operate under a predatory, pay-to-play model, charging authors to publish their books. If you decide to go the indie route, it’s crucial to vet the publishers yourself, as you won’t have an agent to watch your back.
I initially pitched Wanderer of the Wastes to agents. I probably sent out around 80 queries and received a few partial and full manuscript requests. However, it was during this time that I started to reevaluate the role of agents. I had a negative experience with one, and so did some of my friends. It made me question whether an agent was as essential as the writing community tends to believe. Sure, they negotiate contracts, but as a lawyer, I can do at least some of that myself. Sure, agents are necessary for getting into the largest publishers, but what if I wanted a more boutique experience, at least to start?
Around this time, one of my critique partners, Beka Westrup, signed with Lake Country Press (LCP) and had an incredibly positive experience. So, I decided to query them as well. Before long, I received a full manuscript request, and soon after, an offer! Brittney at LCP turned out to be the perfect fit for Wanderer of the Wastes, especially since she connected with the book’s specific type of humor.
It’s been two years, and I’ve had a fantastic experience with LCP. That’s the story—so far, it’s been a great journey with them, and I’ve loved getting to know my author siblings!
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